skirt the full circle

Dear diary -

These past couple weeks i had the centerpiece exhibit for the March ArtWalk at Doubting Thomas gallery; saw Easy Action and Cleveland Psych-Out with the Cynics and Rainy Day Saints; did the sound design for the first production of the 2011 season for convergence-continuum; put in an application for Pop-Up Pearl; celebrated Ostara with old friends i seldom see; had a lovely dinner with *other* old friends i see even less as they live in Ontario; walked downtown to see the St Patrick's Day parade; attended the world premiere screening of Long Way to Oblivion, a short feature written, shot, and based in Cleveland; and what else. Oh yeah. Got a year older and threw myself a party. You know, a typical few weeks in the life of a wolfkitten.

i've already written about the sound design in my last entry, seeing friends and bands is just what it sounds like, and getting old is a drag, and not in the fabulous lime-green false eyelashes sense either. i am really glad to have been invited to see the Canadians when they were in town, as One, they're just wonderful, fun, artsy people; and Two, it was really lovely and affirming to share food and wine and conversation with a group of folks who are all, in one way or another, continuing to live authentic and artistic lives in the face of a society that does not actively encourage either one.

What i really want to tell you about, tho, is the piece i did for the show at D.T. I'm probably more proud of the concept than i am the execution - not that it turned out badly; just that it didn't quite live up to the picture i had in my head, but then, when does art ever do that? The theme of the show was Full Circle, and i spent a couple weeks after agreeing to do it wracking my brain for something that would fit that idea.

What i came up with was first, the Wheel of the Year: the pagan concept of the turning of the seasons as a circle that we move through. But how to depict it? It would have to be shown in a circular format, obviously; however, i knew i wasn't likely to stretch a canvas into anything like a round shape. Finally, inspiration! i would make a circle skirt, of course, of course. And so i did.

It began as a plain white flannel sheet from the thrift store, a sketch, and a pattern (Simplicity 3847). Once the four panels were cut, i made a loose sketch on the material, and then the fun began. Originally, i wanted to do it all in batik, but batik is messy, i don't own a tjanting (batiking tool), and of course i'd left myself not quite enough time to work on it properly. Of course. Over the course of a couple days, i did get some rough wax outlines painted on. i'd purchased dye to use, but it wasn't turning out as i'd like so i opted for (shh - don't tell) food coloring instead. Which means the garment is likely NOT washable but its Art, right?

i'd found some tiny applicator bottles at Pat Catan's and used those to squirt on red, yellow, green, blue and black (that last being thinned acrylic). i know i had a couple shots of the panels drying on my porch that i want to put here, but now i can't find them to save my life. Instead i do have two pics of more-or-less completed panels:



Spring-summer first, then fall-winter.

The wax contained the colors somewhat, but there was more bleeding than i'd anticipated, so i had to let each color dry thoroughly before adding the next. Once everything was dyed, i had to remove the wax by ironing the panels between pages of newsprint - pages and pages and pages. i should have taken a shot of the mess this made of my workroom; i was ankle-deep in wax-soaked ad supplements by the time i was done!

After that, it was pretty simple to assemble the skirt - yes, including a zipper, to the surprise of some at the show. You can't see it here, but i used silver thread to hem it. Each panel has sequins or glitter embellishing some part of the design, and the pagan names for the eight holidays (solstices and equinoxes, plus the four 'cross-quarter days' that fall midway between them) written in gold metallic pen around the waistband. The piece will probably go up in my Etsy shop soon, cuz what else am i going to do with it?

And here - ta-da! - is the finished product en situ:


the upper edge wasn't tacked down enough to keep it from sagging, hence the ruffled look; but i really like the way it was surrounded by my friend Natalia's photos, all printed on round media just for this show. Here's a picture of the curator, Chelsie, in her fabulous outfit at the closing party.

Chelsie has a small part in Long Way to Oblivion, as do a number of my friends. The writer/director, Shawn Mishak, was the first person to ask me to submit something for a show back when i'd first returned to Cleveland in 2006; he hosted the long-running open mic at Edison's that was part of my weekly routine for years, and has been a true and supportive friend ever since i met him. The camerman/director of photography, Noel Maitland, was part of the technical crew at convergence when i first started, and (along with our late and much-missed friend brin) was one of the people to show me the basic ropes of sound design - so not only was there no WAY i was not going to attend their premiere, it all kind of comes - wait for it - Full Circle, don't you think?

And on that note, i better duck and run before you can reload. i promise i'll ~*try*~ to get another entry up mid-month, but April is teh crazeh tiem for me. i've already started prepping for the Fairie Festival that happens at the end of the month, and that is going to eat my time and my brain in a major way. Plus i modeled for the Pretentious Tremont Artistes group tonight, running lights for Morticia's Chair at the end of the month, costuming the next convergence production (and making puppets. PUPPETS!) and pulling together a one-day arts and community center prototype for Pop-Up Pearl so-o.. don't expect me to touch down anytime soon. But i promise i'll check in here when i do. Ta lovies!